Collection
VENUS
"Ode to liberation and the flow offertility of each one, whether living or inert."
This one you're about to see is mine.
It could not be made of flesh, but of art.
“What was hidden comes to light”
Painting that uses a mannequin as a canvas in which
The artist expresses his statement of intent:
To reveal from the depths of their hidden work.
VENUS
It is the exhibition debut and the gateway that will lead to showing
the complete works of
MARTA DEL RIO
whom she considers,
such as their fertility.
“My descendants are
What you are about to see is my legacy.”
Earthly dimension
The representation of blood
that expels the ovum has
a meaning associated with life and the desire for immortal transcendence.
Menstruation is precisely
the ability to be fertile although
when it manifests itself externally,
It is a sign and indicates that a new being has not been conceived.
Divine dimension
The golden chromatic that surrounds the outline of the red pigment
symbolizes its sacred character,
since VENUS as a goddess
of fertility, grants ability
of having offspring like
legacy in this world.
What was hidden comes to light
The basis of female fertility
It is the ovum, which I hide
inside the body,
comes to light through
this natural process
and in their similarity,
The artist's hidden work will also be revealed.
It is not common for images of menstruation to be shown.
as a work of art to symbolize a concept,
This issue is hidden in the reality of women and in artistic circles.
MR has tried to represent her
with the maximum Delicacy, dignity, and respect, for we all come from it.
or rather the absence of it after conception,
in which the union of two parts triggers the miracle
of the creation of a new living being.
Therefore, MR appeals to the recognition of the lineage of continuation
created from within us even while inert
because artistic or other works of human beings,
They are also its continuation and
They transmit the genes and personality of their author,
doing somehow,
that they continue to live after death.
The collector who acquired his work
represents the other half of it,
because he identifies with it and makes it his own.
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